Description and details
Elegant wall mirror in carved wood gilded with gold leaf, referable to the mid-18th century and traceable to refined Venetian production, with Lombard influences. The work stands as significant stylistic evidence of the transition between the last instances of the Baroque and the emerging lightness of the Rococo, manifesting a dynamic search for movement in forms. The frame develops through a wavy course, where the interweaving of curves and countervolutes creates a plastic and vibrant perimeter. The cymatium, the point of maximum vertical tension, is defined by a stylized shell within which an anthropomorphic mask is set, surrounded by a theory of flowering racemes and foliage. The side structure lightens the rigor of the wood through elaborate openwork, which accompanies the eye to the symmetrical base. The mirror is antique with mercury preparation. From a conservation point of view, there are minimal restorations on some endings and structural consolidations; these restorations appear well integrated into the main front, maintaining a consistent harmony with the period patina. The external dimensions are approximately 165 x 120 cm. Provenance Venetian private collection
